I am always asked by several non-musicians how do I get myself to practice so much? For me, my reasons come from necessity: I present several diverse concert programs and projects in a given year. From that standpoint, I need the time to constantly learn new repertory as well as bringing back old works from the past. But here is a deeper look as to how I keep myself motivated. For many of us, our productivity is at our best when we have deadlines. The problem with being a per

It's about that time of year! Classes are underway and audition season is gearing up. In anticipation for this stressful process, here are 8 helpful tips to prospective students and teachers. Do your research What type of music program will best suit your needs? Are you looking to major or minor? Are you looking to become a professional musician after studying in college? Do you plan to double major or have other interests that you would like to pursue? Will music be the foca

When I was developing as a pianist throughout my high school years, I would always be surprised by my teacher's comments after performances: why did you play so fast? Why was there not enough singing tone in the right hand? Why did you rush? It was frustrating because these were things that we had worked on, and areas that I thought I had fixed during performance. Why the disconnect between my perception and reality of how I played? Critical listening vs. thinking Simply put,