"A tremendous artist"

JoAnn Falletta, Music Director of Buffalo Philharmonic Orchestra

“Pianist Frank Huang gave a promising debut showing him to be a thoughtful and accomplished performer...[the performance] was impressive for its maturity and refinement..."

Rorianne Schrade, New York Concert Review

Latest News:

New CD Album Release

Available for purchase on Amazon, iTunes, Centaur Records, Spotify, and many more outlets.

Check out what the press is saying about my latest album.

Teaching piano in the era of Covid-19: how a university professor transitioned to online instruction (a guest post for Pianist Magazine)

This crisis has taught me the importance of being even more versatile and adaptable to the unexpected changes that are beyond our control. And let’s look at it optimistically: the lessons that we learn from these obstacles arm us with the requisite skills and traits to be successful professionals in the working industry.

Read more to learn about my latest article for Pianist Magazine

Becoming the 21st Century Musician: Audience Building

Frank Huang gives an e-workshop to students enrolled in Cincinnati Symphony Orchestra's education and outreach program, concert:nova

How to stay motivated when praticising the piano: a guest post for Pianist magazine

3 reasons why you should study Czerny exercises

3 reasons why you should study Czerny exercises: a guest post for Pianist Magazine

3 ways to improve your legato playing: a guest post for Pianist Magazine

5 tips on maximising efficiency in your piano practice: a guest post for Pianist Magazine

Celebrating Women Composers

I am excited to announce a new album release with violinist, Shannon Thomas! Celebrating Women Composers features chamber music of Ellen Zwilich, Jennifer Higdon, and Lera Auerbach.

Rallentando

Rallentando (ralənˈtandō), a musical indication for performers to slow down, stems from the Italian verb, rallentare, which means to slacken and relax. Starting this 2018-19 season, finish your day by sitting back in the comfort of your living room and enjoy some great music performed and curated by yours truly on selected Wednesday evenings at 8:30PM (ET). Concerts will be thirty minutes and will be streamed live on Facebook and Instagram.

https://www.frankhuangpiano.com/rallentando

Read my latest blog post:

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A Performance Guide to Medtner's Fairy Tale, Op. 51, No. 3

September 28, 2021

I was asked recently by International Piano to write a masterclass article for one of Medtner's more popular works, Fairy Tale, Op. 51, No. 3. I have given many masterclasses before in its traditional face-to-face setting, but never have I been asked to present one in this format.

Midsummer Reflections: new recital idea of music and travel

July 29, 2021

It has been a while since I have written, but I wanted to let you know what I have been up to lately. This summer has been quite busy and life-changing for me, mainly on a personal level.

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Henle Library App: Reimagining How You Study Music

December 12, 2020

Today, I want to share with you some of the technological gadgets that I use to perform, specifically in chamber music concerts. As a pianist, I love performing with other musicians, but I always lament about having to carry a ton of sheet music, which can get really heavy and burdensome when traveling abroad!

Rediscovering the Neglected Music of Florence Price

September 22, 2020

As many of you may well know, I am a staunch advocate of performing unfamiliar repertory, especially works by lesser-known composers. Coming soon this fall, I will be performing a recital program that explores the relationship between protest and music, Odyssey of Dissent.

Understanding and Respecting Your Audience

July 21, 2020

I recently came across an article on Interlude about a response to Andras Schiff's controversial thoughts on the modern audience. Here is a quote from the concert pianist's book, Music Comes Out of Silence:

4 Popular Myths Debunked When Working on the Finer Details of a Piece

June 24, 2020

I think I can say, for the most of us, that we often ask ourselves the following after we are done learning the notes and having a decent understanding of the fundamental musicianship of a new piece: what's next? How do we make it sound better?